| Forming
the band | Naming the band | Starting
to gig | First publicity shot |
Making the album | Arthur
Kay |
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Forming
the band |
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Pictured
left to right
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| Geoff |
Sax |
| Paul Mlynarz |
Sax |
| Paul Elliot |
Guitar/vocals |
| Terry Cutting |
Drums |
| Reg Mercer |
Bass/vocals |
| Perry White |
Keyboard |
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Naming
the band
Naming the band was something of an
ordeal - six different people, six different sets of expectations
and experiences and six different views on what constitutes a "good
name". Lets face it - it must have been a strong character
that got his way with "The Rolling Stones", "Night
Riders of the Purple Sage" or "Led Zeppelin".
So, it was with little surprise that
the conversation got a little heated. After drawing up a list
of first choices, second choices and absolutely hates, the band
went home called The Exits - a name Paul had remembered
from his Manchester days. The decision had been democratically
chosen, based on a points system.
As with many such democratic decisions,
no one had actually chosen the name to win but had placed it fairly
high up on second and third choices.
The next day everyone admitted they
hated it and unanimously chose Life 'n' Soul - another ex-Mancunian
band name.
I can remember Little Paul disliking
Penthouse because of its "rude" connotations. Little
did he know of what was ahead!
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Starting
to Gig |
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With the line-up finalised,
the job was to get work.
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It was initially hard, with
the odd job thrown in each week or so. An early gig was at Kent
Uni for foreign students, with the Golden Arrow (Folkestone) - a personal
favourite.
Gigs were often arranged by Paul Clugston at On Stage (Margate) or
obtained by the band directly.
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These two early pictures
taken at a function near Ashford - a young farmers club, I think
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First
publicity shot
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This shot was chosen from
the first photo shoot and was used as the main publicity photo.
Geoff had now left the band and they were moving more into a cabaret
style act.
(L-R)
Little Paul, Reg, Perry, Terry and Paul
The photo's feature stage suits made
by Little Paul. Well made, little sewn and mostly glued -
but they looked great!
An interesting point is that the photo's
were taken by a Margate guy called Denis Taylor, whose knickname was T-Cup . It is fairly
usual to hear "I used to be in a group, y'know" but it
came as quite a surprise when T-Cup got out his photo album!
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It contained shots of him in his old band, posters, single covers
and an album cover. Interesting - but there's more!
The band was Davie Jones and the Lower Third, which changed it's
name to David Bowie and the Buzz band.
There was our balding and somewhat
impoverished cameraman some years previous, playing lead guitar
for Bowie. T-Cup hung around with the band for a time but
we think he preferred the grog to us.
The last we heard of him was in the Daily Mirror! He had been
part of a scam by Ramsgate Councillors to con a European shipping
consortium into putting money into the Ramsgate ferry. "Better
get in quick", was the idea, " the Arabs are interested
in it".
No one was fooled by the phoney looking Arab - it was T-Cup.
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The
Life 'n" Soul album |
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Recording the album
had been an idea for a long time but with a working cabaret band opportunities
for recording deals are an impossibility.
One week I noticed an ad in The Stage newspaper and gave them a ring.
The response was very positive and in a matter of weeks we were recording.
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The company SRT (Stereo records and
Tapes) reputably sold a huge amount of albums per week - but made
up of albums from hundreds of artistes. They gave regular
working acts the ability to produce albums mainly for retail at
gigs.
This process, and the company, was
not new to me - my friends in Sweet Chariot had produced a couple
of albums for the company and found their sale quite advantageous.
So, within a matter of weeks we were
in the studio - 19.20.21 November 1979.
The studio, Porcupine Studios in Eltham,
Sth London, was attached to the house of owner/engineer Ted Taylor.
Ted was a Musical Director at Thames Television and used the studio
as something of a hobby. As he was quite active with his Big
Band in the evenings, studio time was booked for 10 am - 5 pm -
very unmusician times, we felt.
As we had only three days to record,
additional time was booked on the Saturday to mix the album.
Recording was fairly smooth, as we
had rehearsed all songs extensively before - many being part of
the stage act.
The band crashed on the floor at Perry's
parents each evening, much to the distress of an Australian visitor
who was harassed by the band with "Tie me kangaroo down"
type songs and jokes.
All in all quite good fun. A
video of the band in the studios is available.
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| The
Arthur years ....
Although a comedy band, Life
'n' Soul members were heavily involved with Herne Bay Ska
superstar Arthur Kay.
His second single "Play
My Record/Sootie is a Rudie" involved Paul Mlynarz on
sax and Bob Colthart on guitar. Shortly after both Perry
White (keyboard) and Terry Cutting (drums) joined the band
for gigs.
These recordings are featured
on numerous CD's - both from Arthur and Ska compilations.
Bob's "Volecanoes"
("No One But You") also featured the Life 'n' Soul
band members.
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The Originals line-up
at Herne Bay Youth Club
(left to right) Eddie Maitland, Arthur Kay,
Terry Cutting (Life 'n' Soul), Paul Mlynarz (Life 'n' Soul),
Perry White (Life 'n' Soul) and Bob Colthart (Life 'n' Soul).
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| Life
' n' Soul sax/vocalist Paul Mlynarz also played sax on
the Last Resort album - "A Way of Life".
This album is still available,
not only on red vinyl as per the original but also on cd.
It is a classic album of this
genre. (posh, eh?)
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